Success! Domain emilysviolins.com was analyzed on Monday 21. November 2016!

DomainsData.org: Sweet Music Studio

  • Title:
    Sweet Music Studio
  • Age:
    3 years old
  • Alexa Rank:
  • Total Sites Linking In (Alexa):
    3
  • Domain's IP Country:
  • Status Code:
    OK
  • IP Address:
    199.34.228.55
  • Description:
  • Keywords:
emilysviolins.com Whois Information:
  • 1.
    Domain Name:
    emilysviolins.com
  • 2.
    Domain Age:
    3 years old
  • 3.
    Name Server 1:
    dns2.register.com
  • 4.
    Name Server 2:
    dns1.register.com
  • 5.
    Created:
    Sunday 09. December 2012
  • 6.
    Expires:
    Friday 09. December 2016
  • 7.
    Domain Registrar:
    Register.com, Inc.
Website Important Html Tags:
  • TAG
    TEXT
  • div
    Since 1986, I have been working with a variety of musicians including solo/strolling violinists, harpists and singers; trios and quartets; chamber ensembles; rock and blues bands; and DJs.
  • div
    I'm happy to answer any question you might have about planning music for your special day including ceremony music, cocktail hour, dinner music, reception/dance, soiree music as well as music for the various transitions in an event.
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    FWIW, I am located in Western Massachusetts, near Amherst College. Most of the weddings I work with are in New England, specifically Massachusetts, Vermont, Rhode Island and Connecticut, although I have managed music for weddings in Maine and New York state.
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    To learn about the musicians and ensembles I can provide, as well as ask me any questions, feel free to call 413-224-8600 any time or use the contact box on the sidebar!
  • div
    The mandolin is one of the most accessible instruments to learn.  Because of the frets, all of the notes are laid out for the player visually, making it super easy to know where to put your fingers.  The instrument is very light, so it is suitable for even the smallest of adults or teenagers.  Because it's tuned in fifths, it is easy to learn scales, arpeggios, and chords - the building blocks of all music!
  • div
    On his first trip to the New World, in 1534, explorer Jacques Cartier found a rich land inhabited by Huron and Iroquois Indians. He promptly claimed it for France. Cartier gave the name “Canada” (from an Iroquois word for “town”) to the area around the Iroquois village of Stadacona, on the banks of the St. Lawrence river. In 1608, the first permanent French colonists established Québec city in the same location, bringing their songs and music with them.
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    Early immigrants to Québec came from all over France, but especially from several provinces in the north and west: Normandy, Picardy, Anjou, Poitou, and Brittany. Not surprisingly, many of the traditional French songs we now find in Québec are common in those provinces as well. “Dans les prisons de Nantes,” for example, is set in Nantes, an important city that was historically the capital of Brittany. Located at the confluence of the Loire, the Sevre, and the Erdre, Nantes might be remembered fondly by French-Canadians as a model for their own important town of Trois-Rivières. The song is a fine example of an old French ballad, and was probably among the earliest French songs brought to the New World. 
  • div
    During the later seventeenth century, a few hardy Frenchmen in Québec established themselves as
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    Voyageurs were crucial to the survival and development of folk song in Québec, for several reasons. First, they spent months in small groups traveling over rough country; in such a community, a good repertoire of songs could be the difference between a valued companion and a tedious bore. Thus, the voyageur life encouraged men to learn and sing songs. Second, voyageurs spent the greatest part of their time paddling great canoes along rivers, or carrying cargo on their backs during portages. Singing became their method of keeping their paddling coordinated and their marching steady, and they adapted all manner of traditional songs into work songs. We owe much of our knowledge of this early Québécois music to a number of collectors, none more important than the pioneering folklorist Marius Barbeau, who collected over 13,000 songs from oral tradition.
  • div
    Many Québécois folk songs are done in call-and-response style, mirroring the tradition of western France. This tendency was reinforced by the voyageurs. Call-and-response allows a group to sing a song as long as one member knows it, which greatly increases the number of songs that can be sung en masse. Call-and-response also allows each singer time to rest and breathe while the others are singing, which is important when you are paddling a canoe at 40 to 60 strokes a minute! On this recording, “Le moulignier amoureux,” “Canot d’écorce,” “Auprès de ma blonde,” “C’est la belle Françoise” and some of the songs in the “Chasse-Galerie” medley all follow this call-and-response pattern.
  • div
    In nineteenth-century Québec, Christmas Day was primarily a religious holiday.  Raucous parties were reserved for New Year’s, as revealed in our songs “Oublions l’an passé” and “Le réveillon du jour de l’an.”  One of the favorite styles of party songs among both French and Québécois singers is the cumulative counting song; as in the English-language song “The Twelve Days of Christmas,” these ditties are primarily concerned with counting gifts or blessings. “Les Parties de Gregoire,” which comes from the repertoire of Jean-Paul Guimond, counts the dishes at a sumptuous New Year’s feast. 
  • b
    I buy mandolins, mandolas and mandocellos.
  • b
    Why do I buy mandolins?
  • b
    Acadia
  • b
    The first capital of Acadia, established in 1605, was Port-Royal.
  • b
    Traditional French (folk) Music
  • b
    High Baroque / Court Music
  • b
    Béarn
  • b
    Gascony
  • b
    Languedoc 
  • b
    Limousin
  • b
    Provence & Alps
  • li
    October 1, 2016 - Soldier's Home in Holyoke, MA.  2pm-3pm
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    October 8, 2016 - Porter Phelps-Huntington Museum, Hadley, MA. 2-3pm
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    November 12, 2016 - The Arbors - Amherst, MA 2-3pm
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    February 12, 2016 - The Loomis Community - South Hadley, MA 2-3pm
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    Caramusa - a bagpipe made of wood, leather and reed
  • li
    Cialamedda (also cialamella/cialambella) - formerly a reed instrument, more recently with a wooden box body
  • li
    Mandulina - a mandolin
  • li
    Pirula - a reed recorder
  • li
    Pifana (also pivana) - a type of gemshorn generally made from a goat horn
  • li
    Riberbula - related to the jaw harp
  • li
    Sunaglieri - mule bells
  • h1
    Sweet Music Studio
  • h2
    Pages
  • h2
    On The Web
  • h2
    Contact Form
  • h2
    About This Blog
  • h2
    Mailing List
  • h2
    Blog Archive
  • h2
    Search This Blog
  • h2
    Lovely Visitors
emilysviolins.com IP Information:
  • 1.
    Ip Address:
    199.34.228.55
  • 2.
    Country:
    United States
  • 3.
    Status Code:
    OK
  • 4.
    Region Name:
    California
  • 5.
    City Name:
    San Francisco
  • 6.
    Zip Code:
    94111
  • 7.
    Speed test:
    9.56 ms
emilysviolins.com Alexa Information:
  • 5 Websites linking to emilysviolins.com:
  • mandolincafe.com
  • talkclassical.com
  • violinist.com
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